Working with a Limited Palette

I have a 16-well palette which I love so of course I fill it up with 16 colors. But without realizing it, discipline falls away and the tendency to focus on local color kicks in. Before I know it, I have too many colors on the paper and I end up with a muddy mess, no uniformity and a lack of light-to-dark-value.

When you start to paint, read books about watercolor, and take workshops you hear a lot about “working with a limited palette”. The benefits of restricting a watercolor sketch to 2 or 3 colors is a discipline and pays of in several benefits (especially for the beginner!) as detailed in Shari Blaukopf’s book Working With Color (@2019 Quarto Books)

  • Forces a focus on dark and light values

  • Enables the emphasis of a focal point in the sketch

  • Achieves chromatic unity and harmony

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But as much as I knew that limiting my palette was could achieve better results, it was not until I took Stephanie Bower’s Understanding Perspective online workshop in November-December 2020 that I had what Stephanie calls an “a-ha moment”. Stephanie Bower’s two books have been indispensable resources: Understanding Perspective (@2016 Quarto Books) and 101 Sketching Tips (@2020 Quarto Books). Watching Stephanie on Zoom navigate her tiny Cotman palette filled with tube colors I know really get what a limited palette can achieve in terms of beautiful simplicity.

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A limited palette in no way means limited hues because a variety of colors can be achieved through adept color mixing. I actually think that the entire 6-session workshop with Stephanie Bower was done with three colors: Permanent Alizarin Crimson, Yellow Ochre and Ultramarine Blue. Burnt Sienna and Quinacridone Burnt Orange were brought in when needed to warm things up or achieve a glow of reflected light. “Magic Gray” is the combination of Ultramarine Blue, Burnt Sienna and a “molecule” (as Stephanie says) of Permanent Alizarin Crimson.

Limitation ends up being a core strength as warm and cool mixes can be made with just 3 colors and before you know it, the finished sketch looks great!

 
Close up of the 12 colors

Close up of the 12 colors

 
Which colors got tossed out? These are paints that I have used frequently from time to time and some live in my 16-well palette

Which colors got tossed out?

These are paints that I have used frequently from time to time and some live in my 16-well palette